Palette Atlas

Japan · Sengoku period (1467–1615)

武士甲冑

Bushi Katchū · Samurai Armor

Lacquered and braided hues of yoroi armor, chosen for clan identity and battlefield visibility.

In Practice

The palette, applied.

Three mock compositions built only from the colors above — a designer’s proof that cultural palettes translate into production surfaces.

SENGOKU PERIOD (1467–1615)05武士甲冑BushiSAMURAI ARMOR · 5 COLORS

Editorial · Poster

Gold Leaf grounds the field while Akane Red carries the display voice — a pairing built for titling weight.

武士甲冑SBUSHI KATCHŪEST. ATLAS · 5 NOTES

Product · Packaging

Akane Red takes the front face; Kon Indigo returns as a narrow band — a tested retail hierarchy.

samuraiarmor.studioS.WORKABOUTINDEXStories,in pigment.武士甲冑 · Sengoku referenceVIEW ATLAS →DOWNLOAD01 ORIGIN02 METHOD03 ARCHIVE© ATLAS — 5 SWATCHES FROM SENGOKU PERIOD (1467–1615)

Digital · Interface

Gold Leaf canvas, Urushi Black type, Akane Red call-to-action — WCAG-legible contrast without leaving the palette.

Give your design a meaningful narrative — not just a color, but the reason it belongs.

The colors

  • #1A1A1A

    漆黒

    Shikkoku · Urushi Black

    Deep lacquer finish applied to iron armor plates for weatherproofing.

  • #8B0000

    茜色

    Akane-iro · Akane Red

    Madder-root red of Takeda and Ii clan armor lacing.

  • #223A5E

    紺色

    Kon-iro · Kon Indigo

    Dark indigo used for odoshi silk cords, believed to repel insects and snakes.

  • #B8860B

    金色

    Kin-iro · Gold Leaf

    Gilt accents on helmet crests signaling rank and clan allegiance.

  • #3E4A3D

    萌黄

    Moegi · Moegi Green

    Young-leaf green of lacing cords worn by youthful warriors.