Palette Atlas

China · Ming–Qing (1368–1912)

紫禁城

Zǐjìnchéng · Forbidden City Imperial

Regal palette of glazed tiles, vermillion walls, and imperial yellow that only the emperor could wear.

In Practice

The palette, applied.

Three mock compositions built only from the colors above — a designer’s proof that cultural palettes translate into production surfaces.

MING–QING (1368–1912)05紫禁城ZǐjìnchéngFORBIDDEN CITY IMPERIAL · 5 COLORS

Editorial · Poster

Imperial Yellow grounds the field while Imperial Yellow carries the display voice — a pairing built for titling weight.

紫禁城FZǏJÌNCHÉNGEST. ATLAS · 5 NOTES

Product · Packaging

Imperial Yellow takes the front face; Palace Wall Red returns as a narrow band — a tested retail hierarchy.

forbiddencityimperial.studioF.WORKABOUTINDEXStories,in pigment.紫禁城 · Ming–Qing referenceVIEW ATLAS →DOWNLOAD01 ORIGIN02 METHOD03 ARCHIVE© ATLAS — 5 SWATCHES FROM MING–QING (1368–1912)

Digital · Interface

Imperial Yellow canvas, Azurite Blue type, Imperial Yellow call-to-action — WCAG-legible contrast without leaving the palette.

Give your design a meaningful narrative — not just a color, but the reason it belongs.

The colors

  • #E8B923

    明黄

    Mínghuáng · Imperial Yellow

    Bright yellow glaze of Forbidden City roof tiles reserved for the Son of Heaven.

  • #9C1F1F

    宫墙红

    Gōngqiáng Hóng · Palace Wall Red

    Deep red lime-wash covering the outer palace walls for five centuries.

  • #1F3B73

    石青

    Shíqīng · Azurite Blue

    Mineral azurite used on beam decorations and Buddhist frescoes.

  • #2F5233

    石绿

    Shílǜ · Malachite Green

    Copper-carbonate pigment for landscape scrolls and cloisonné.

  • #B8860B

    鎏金

    Liújīn · Gilt Bronze

    Mercury-amalgam gilding on Taihe Hall throne ornaments.